Sunday, February 2, 2014

#FRESHOUT9jaUpdate Open Letter to @THEBEAT999FM


I am a lover of Nigerian Music from the days of Kennis Music’s domination, Remedies, Plantashun boiz et al although it was not easy to listen to new sounds on radio stations it was just STAR FM, Raypower & Rhythm FM back then but thanks to your organization (Beat 99.9 FM) coming to our rescue on September 9th, 2009 (9/9/09) guess that’s where your frequency came out from. Having you increase your work rate over the time is really amazing with different radio programs at different time of the day and with the help of Nokia Phones, we can stay glued to our darling Beat FM.
Well, I am sure with all these good works there would surely be some loop holes and that is one thing I would really like to discuss in this my letter and  pardon me if my own observation is totally wrong but I still believe it’s something you can work on to make it look genuine to me.
1.                   SEGREGATION: The issue of having favourites in our Nigeria music industry…it is normal to have your own clique or let me  say your OAPs have their own preferred artistes that their music is a must on their timeline. It is a radio station and I don’t think it is a good thing to segregate between artistes and if you’d ask me, it can easily bring up beef between artistes. I could flash back to the days when “DUROSOKE” by Olamide dropped, I hardly heard it on Beat FM and I paid more attention to Morning rush when it started playing but I can authoritatively say that uncle Olisa and his fellow host did not mistakenly play it. Another instance was when Olamide was featured on a song, whenever uncle Olisa wants to play the song, there’s a normal hype for new songs ofcourse but whenever he called names of artistes on that particular track he has never make a mistake by calling Olamide….i know say this no be my business but it’s just my own observation but even though there’s any problem he might have with Olamide then, he shouldn’t have make it so obvious like it was because there are people like me that will always be on the sideline and be like “I JUST DEY OBSERVE”…thanks to aunty Tolu (Toolz0) for giving Olamide chance on  Drive Time show, I think she was the one that started playing DUROSOKE on beat FM then before other programmes imitated her.

2.                   PLAYLIST: You have a fantastic playlist no doubt but there are so many things that you people always neglect when it comes to good sounds, I don’t want to go about the issue of “PAYOLA” which madam 4lah of NaijaInfo talked about sometime last year but I still think its looking more like it. I believe you have your ways of getting sounds of international acts because I don’t want to believe that they come to Nigeria to submit their disk to get on your playlist, you pay more attention to them (International artistes) and to the ones that are already known here in Nigeria, what is the help you are rendering to the upcoming ones? I believe your station is still the best when it comes to social networks (Facebook & Twitter especially) but I think you don’t follow what discussion is going on those platforms. With no doubt the hottest song as at when I am writing this letter is “DOUBLE WAHALA” by Oritse Femi and I can remember DAMI (@AVARIBERRY) tweeted at OritseFemi asking “@oritsefemi why don’t we have your songs?” I don’t want to believe she’s trying to ask of the disk but seriously that’s what it looks like and this is very very wrong. DAMI is a very good user of twitter because I know she rants at all times whenever there’s an ish and I don’t want to believe she doesn’t know that “DOUBLE WAHALA” is the song everyone is talking about or maybe there are procedures your organization follows before any new song gets on your playlist but if that is the case, why are the international acts’ cases different? Please, I would really like your organization to  see to this and a possible solution to make it close to being perfect.

3.                   NIGERIA TOP 10 SONGS EVERY THURSDAY: I actually don’t want to discuss this issue but I don’t want to ignore it at the same time. i have tried my best to figure out how this weekly programme is being compiled.  Having the same songs on the radar week in week out but different position doesn’t look like we are doing the real “Top 10”. I know its not my business to know how these songs make it to the top 10 but believe me I’ve heard better songs than most of the songs on this chat. There should be room for new artistes  or is it that this “Top 10” deals basically with known acts? Or is there a time frame for the song before it can get to your “Top 10”? I am sorry for the plenty questions but I am really confused because I listened to your “Top 10” of 30/01/2014 and every song on that list is no way close to “DOUBLE WAHALA” by OritseFemi…please pardon me oo, I am not writing my letter because of oritse femi but to be sincere I’m a lover of good music and there’s no way you will neglect such a tune.

4.                   PAYOLA: I don’t intend to discuss this issue because I thought the article of aunty 4Lah (of May 2013) on Payola in our Nigeria music scene might have put a stop to it but to my understanding it is still the same. Although, it is not just your station that is caught in this act but sincerely you are the central of it all. I did some research on my own just to figure out how some stupid songs made it to your playlist most especially the FRESH BEATs on Sundays and even some of them winning at the end of the day and I get to know that if you don’t have up to 150,000 you can run a radio promo on Beat FM, Haba… how do you expect an artiste that can hardly afford 20,000 for music production to get 150k for its promo?? I am sorry to say you people are just encouraging cyber crime because I don’t see a normal dude that is yet to be signed to any label to cough up that money, its just wrong..Do you say I am tackling your radio station?? Well, it’s a NO but I would like you to figure how your OAPs operate when it comes to getting songs on their playlist. I know that our upcoming artiste are also not doing well when it comes to radio promo but can you put yourself in their shoes, after recording a song, you met an OAP to discuss helping you out with your song and he start by saying …”Omo, mehn before you go fit get your song on our station e go hard gaan oo you gast raise like 150,000” …Like seriously??? And the dude will still go further by analyzing how the payment would go … “the person wey go upload on playlist go collect so so amount, the person wey I go use him timeline sef go collect so so amount, for your song to enter FRESH BEAT, the person go collect so so amount and me sef gast put something for pocket” …you don’t believe me?? Just try figure it out yourself. I sincerely understand that you pay bills and also have your own running cost but at the same time you have to be considerate on how to go about this PAYOLA issue, I don’t know if the management is aware of this but I am saying it that this is what is going on and to be frank its not helping at all. I want to ask a question, “Why/How are you the HEARTBEAT of Lagos?” …you are to represent the state with a good heart but I think your OAP is doing otherwise making your station the opposite of your slogan, I would suggest you abandon the slogan for now until things get to normal within your management and your OAPs. I have a suggestion when it comes to upcoming artistes, I believe its what your station is capable of doing considering your social network rapport with the youth, I think you can set up an online portal where you allow songs to be submitted, you have your inhouse judges to screen the songs, then you can table them for FRESH BEATS, some songs doesn’t even worth Fresh Beat, like seeing SHEYMAN’s song on fresh beat, how you take categorize sheyman as upcoming??? Abi FRESH BEAT is not based on upcoming artistes ni?? Please just find another means of getting songs for your playlist. I know its not just your station that is caught in this act but as I said earlier, you have more credibility in the industry and everyone believe any song that is on Beat FM is actually going to get the most attention and I expect your station to do this with good heart so that you can continue to represent us as the HEART BEAT of LAGOS…
Well enough said, those are my observations and humble opinion about what I feel is not right on some of your programmes. But I will like to appreciate all your young OAPs, Segun, Osi, Dami, Koch et all for the wonderful jobs they are doing, its not easy mehn and I will say thank you to the entire team for believing in the Nigerian artistes.. God bless you, God bless Nigeria... this writer (Abiose Oladunni) can be reached on twitter via @ GAGAMYSTERIOUS


NOTE: This is not a #Freshout9ja opinion, its a post from one of our ardent readers.

Friday, January 3, 2014

#FRESHOUT9jaUpdate Artistes To Look Out For In 2014 By @Gagamysterious


Notice: This post is not exclusively by the #FreshOut9ja team, its by one of our loyal readers so all criticism can be directed to @gagamysterious on Twitter.


This part is a critical part of my letters, because it is very hard to predict the future of any individual most especially when it comes to music but I am going to be positive with these chaps included in this list because I believe they will surely deliver a perfect music for us all in 2014.
We have a lot of upcoming talents in the industry and I know most of the readers out there would be like “who is this one that is selecting or wetin she even sabi for music wey she dey talk?” I am open to critics and believe me everyone can’t be satisfied equally. My own little way of judging music is what I used while compiling this list and I believe most of you would agree with me.

1.                  
   NIYOLA: to most people they will take her as an underrated female naija artiste of 2013 but I don’t want to see it that way because of the challenges of her label. Niyola has been around during the days of Trybes Records even if the relationship was not so long. I see the potentials in her and I know it won’t be easy having her come back so easy to conquer the industry. She did very well with her singles (Toh Bad, Belle no be show ft Sound Sultan) and a banging video of Toh Bad. I have a very strong feeling uncle Banky would take time out a little so as to help her music grow in 2014.

2.                   TEKNO: Well, I would say hard work pays. I know he could see back then when I met him as a producer but was not even expecting him to be well known as a musician rather as an artiste but thank God he is there now. He debuted with “Holiday” which he features O.B.O and trust me, that song was massive which got him the MMMG signing. I believe that was just a tip of his ice bags but I believe 2014 would surely have him give us more hit to stick to our lips. Yes, I say so, Tekno can do it.

3.                   YUNG L: Grip Music, Good Music. I so much believe in this young man. He has done well for himself sincerely, feature on different songs and then he dropped a song and video for SOS and the response from it shows that he will be accepted in the industry with time. I am putting my bet on him if anyone would challenge me that this guy would definitely be unstoppable in 2014.

4.                  
    ESE PETERS: I know plenty people go accuse me on this but I would like anyone doubting his presence of him on this list to take time to listen to him. He did series of covers [The Way You Are (Darey Cover), Walk Away Baby gone (Asa Cover)] before dropping “OMOTE” which got him a nomination spot in the just concluded Headies2013. I actually believe he is going to do better come 2014 and I’m hoping my prediction of his would be right.

5.                  
     MISTURR K9: it saddens my heart whenever I listen to “Kokoma” which was a massive tune of 2012 composed, produced, mix and mastered by this young man, multi talented he is and in addition he can do the whyne ur waist dance. I wonder what uncle ELDee was thinking when he pause this guy’s promo to focus on “Samba” which ace producer Sarz featured Wizkid on. I am not saying the SAMBA song was not a hit but wizkid was going to take the shine of the song away with him while K9 will bring the glory to Tribes Records. I gave up on a video for it already in February 2013 but to my surprise after almost 14 months a video was released when we are already tired of the song *whew*. Well, I know all these was ELDee’s fault or maybe Sheyman’s fault for taking the IMAN deal away? Maybe Yes, Maybe No but I am sure lessons well learnt in 2013 and won’t repeat itself so I am expecting a fantastic 2014 from him.

6.                   DANAGOG: Many people might be wondering who is this one again, maybe because he was signed to HKN that was why I have him on my list, Maybe Yes &/or Maybe NO. The chap has been around for a very long time oo, he is an underground artiste looking for a long time, he was on a track “Emoti” which DJ Debby featured him alongside Orezi and Igho. He then dropped a single “Bobo ti Bobo” and a video for it as well in 2012. I believe his inclusion to the HKN gang would help him grow more and get him the fame he has been long looking for with the help of O.B.O, I am sure he will thrill us well in 2014.

7.                     
SOJAY: I think the same thing that happened to Misturr K9 applies here. It is sad though and that is why I won’t say much on his own case. He has done a lot of covers which most of Nigerians accepted before he later dropped his own single and video. I so much believe in his talent and I am sure with their 2013 bad management experience, he will make positive adjustments and marks come 2014.